Podcasts Round up!

A few years ago I started listening to podcasts, mostly at work and I LOVE THEM!! Its like storytelling without the pictures and I completely get the appeal of radio shows now!  Usually they're more interesting than what's on TV and you can find one of just about any subject.  Usually I start listening to them when I need to get some work done that's more technical--like in-betweening or working on digital painting and illustration, basically--it keeps me in my chair working for at least an hour straight and I can usually get into the mood of animating or drawing after an episode or two.  If I'm working on something like planning a shot or composition or coming up with ideas I usually find podcasts too distracting (and know that's not the time I should be turning one on!!) but sometimes when I'm tired from working my day job but still need to get some animation done and will turn one on until I can get into my project.

Here's a few that I'm really enjoying right now!

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ANIMATION ADVICE & INDUSTRY:

  • Animated Journey by Angel Entzminger
    • This is a great interview animation show about how different people got into and made their way through the animation industry.  Not only are the podcast interviews really interesting but Angela also goes over events happening in animation right now.  Especially good if you want to feel like you're not alone in your weird-meandering journey of animation!
  • Ink & Paint Girls by Cassie Soliday
    • This podcasts interviews women working in the animation industry.  The interviews are from a wide variety of women working in all aspects of animation from large studios to very small and veterans in the industry as well as new comers--interviews are always super informative and interesting and especially good if you want to learn about different positions and career routes in animation
  • The Art Side of Life by Iva 
    • Another excellent interview podcast--she interviews more well known artists and always has a very positive spin about learning and developing your craft in animation.  Especially good if you're feeling a little down about getting into the industry and need a positive outlook
  • The Art Corner by Anoosha & Vicki
    • This one only has six episodes and seems to be on a break but I was really excited every time it updated!! Part advice-part interview, it was a new podcast that was developing its structure and was always refreshingly informal and gave really good, specific advice about the industry and being an independent artist.  I recommend their two part series on having an online store --it was a really in depth look about it and super informative from two people who have a lot of experience with it--(psst--come back!!)
  • Cartoon Saloon Podcast
    • I LOVE this podcast! Its super unique in that the head of the studio set out to interview everyone at the studio about how and why they got into animation.  Cartoon Saloon is a studio in Ireland and it was so interesting to hear different perspectives about art and the industry from another country--they seemed to have a much better work-life balance and outlook in the Irish industry and I loved that almost every one I listened to had come from a different career and started animation 'later in life'  --this one is especially good if you're feeling like you're a little too late/a little to old to get into the industry....or are feeling a little jaded about animation
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Right now I'm also really into adventure podcasts!! (I could seriously list a million podcasts for you to listen to but here's a few good ones for when you're maxed out on animation info!)

ADVENTURE & COOL PEOPLE

  • Dirt Bag Diaries Want to hear about death-defying, crazy and life changing adventures?? This podcast is for you--its done storytelling style rather than interview for the most part and guest talk about their wild experiences and adventures in the outdoors.  Especially good if you're feeling like an adventure but can't leave your desk right now.
  • Out There  by Willow Belden--This one pretty similar to Dirt Bag Diaries--about people traveling outdoors and getting out of their comfort zone.  I liked this one because most of their guests were women.  Its also told storytelling style and good if you want to get lost in someone else's adventure.
  • Real Talk Radio with Nichole Antionette -- Nicole interviews interesting an inspirational women (and some men) from all different careers and walks of life.  Its always interesting to hear how someone else built a career, over came obstacles or does crazy stuff like ultra running.

 

Ground Zero Animation Expo - Recap pt. 2

If you haven't read part one yet--you can find it here!

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Not only was Ground Zero an excellent place for learning about the industry from professionals currently working in it, it was also a great place to meet your animation peers!  After Saturday's show, everyone attending the conference was invited to meet up at a local Brewery.  Again, I went by myself--I'm an extrovert ...even if I'm quiet sometimes. I wasn't super stressed about attending this.  However, I tend to have a hard time striking up conversation with others I don't know, particularly if they're already talking in a group.  Eva did a great job organizing this and rounded up everyone she saw from the conference to sit near each other at the end of the bar--which was awesome because I was having a hard time telling who had come over from the conference!!  I ended up striking up conversation with lots of interesting peers and tabling artists that night and stayed until the end.  I've never been to the after-hours social events at CTNx, but after testing the waters here I'll be sure to try that in November as well!

Overall, this was an excellent conference and an awesome experience.  Especially as someone who lives outside of the LA area, its nice to have a conference in between trips to CTNx--although there are lots of animation events happening in Southern California all the time, its hard to make time or travel for one day or week night events, this is just Saturday and Sunday ...if you drink a lot of coffee you wouldn't even have to take time off of work!  This year, I'm going to apply the advice I've learned at Ground Zero, to bring a new reel to CTN to get more feedback, and then bring a new reel to the next Ground Zero...and so on, forever.  If you feel overwhelmed by a large and crazy conference Ground Zero a good place to go, its easy to get lost in the sea of people herded through the Burbank Marriot each year and hard to find the time or space to really make conversation with anyone.  I felt like i had plenty of time to chat with artists and peers and really enjoyed the 'networking' aspect of conferences I've been avoiding for so long.

If you're looking to go next year here's some tips! (mostly things I'd do next year to be more prepared)

  • Think about what you'd like to know about animation industry or different careers before you go--there will be a lot of time to ask questions!! This time I asked a lot of people about entering the industry or how they develop their portfolio projects so that it doesn't turn into a life long project.  I got some great specific advice! But I think if I'd gone a few years ago I wouldn't have had those questions ready--think about what you'd like to know!
  • Bring Business cards--I am SO glad I forced myself to make them even though I had to pay for rush shipping--I gave out almost half of what I ordered...it was worth it
  • Next time I'd try to pack a lunch--there was just McDonalds and Food 4 Less near the site...you can of course drive but I was lazy...I ate french fries like 4 days in a row...but I'll take responsibility for that life choice
  • Show up early! (but after me!)--you wont be stressed, you'll get a good swag bag, you'll feel superior to those who showed up late and didn't get a swag bag (just kidding)
  • If you want to figure draw, do it in the morning--the tables will be there all weekend but the model was only there for a bit--and both days the model looked awesome! I missed most of that.
  • If you're tired go sit in the bleachers and draw the other attendees, once you leave school you'll realize there's only so many places where this seems normal/not creepy
  • I'd get more sleep--and drag more people with me!  I could have split my room with 3 other people and put some on the floor too! It would have made it like $30 bucks a night a person...which is dirt cheap...we could have all gone to Disneyland on Monday (or at least Downtown Disney)...#goals

Ground Zero Animation Expo - Recap pt. 1

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This weekend I attended Ground Zero Animation Expo in Stanton, CA (near Anaheim).  It was an awesome experience that was incredibly well done and provided an excellent way to meet both professionals and peers in the animation industry.

Ground Zero Animation Expo was started by Eva Sowinski and just finished its third year running.  Its a much smaller and more intimate conference than CTNx (every November in Burbank) and has a much different atmosphere as well as different goals.  Eva explained where Ground Zero began as well as the vision for the Expo on this Ink and Paint Girls Podcast-- definitely give it a listen!  I found it on my drive back to Sacramento and it was not only inspiring but also really summed up what Ground Zero is about (...but that should not be a surprise because she made it!)  Here's a few notes on my experience--I'd definitely encourage anyone looking to break into the industry, learn more about it, or simply loves animation to check it out!!

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My journey to Ground Zero start very early in Sacramento Thursday morning--after a run to the store for snacks, coffee, and a ridiculously large breakfast sandwich I was on the road!  I decided to drive to this conference by myself, because even though its 5+ hour drive to Southern California from Sacramento I didn't know anyone else from Sac doing animation and most of my cohort at school has already graduated and sought other opportunities--I was feeling pretty animation-lonely out here!   Even though I'm an extrovert, I don't tend to do as well at professional conventions or meetings--meeting my art-heros and other professionals just makes me nervous! So going by myself was also a way to force myself to get out there--if you don't bring anyone with you, you can't hide from all the people you don't know!  To make this seem less daunting, I stopped by at a friends house in LA and had an awesome weekend catching up and taking her goofy dog to the 'dog beach' and then we ate everything in LA in 24 hours...which was awesome and I was much less stressed.

Ground Zero started at 10 am on Saturday...so naturally I showed up just after 8:30am  (if you've been to CTNx you know why I showed up so early!!...also lets be honest, only the first so-many people were going to get a swag bag and I wanted one).  I was the first in line for about half an hour and at first felt a little strange...like now you all know I'm REALLY excited ...Eva took my picture for social media and then finally some more people showed up at about 9am and then it felt less strange--by the time it opened I heard there were 50 people in line.  

There are a few things that are unique to Ground Zero that I really liked--first of all, its not an expensive conference--if you just want to walk the floor, shop tables, and meet artists--IT'S FREE! and if you want to just go to panels its only $10 for unlimited panels a day.  You can also purchase workshops and reviews (which I don't think were more than $20) and are 100% worth the money!  If you are new to the industry and want to go to a conference, even if you have to travel--this one is a good choice! (also, its only 15 minutes from Disneyland, if you run out of things to do (I didn't) you can go there...make it vacation!) 

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Another excellent thing about Ground Zero is the size, its small--I'm not sure how many people were there over the weekend, but I could walk the floor and move freely without bumping into anyone and there was no need for crowd control or much people herding.  Being a small conference meant that if you wanted to talk to an artist at a table, you could without feeling like you were bothering them or distracting them from a sale.  I walked the floor at least 5 times a day in between panels and workshops and I assume others did as well.  Everyone seemed as excited to chat as they were to sell artwork and it was much easier to strike up conversation at this conference than CTNx where people are bumping into you or getting in line to buy things or ask questions and its pretty chaotic. In addition the workshops and panels are all small AND long--each was about an hour in length and only had a normal-sized classroom full of people at most.  That meant that for workshops, the information was in-depth and informative and there was plenty of time for questions.  I went to Amanda Jolly and Andrea Gerstmann's workshops and both gave great talks that were full of very useful and specific information.  I normally don't ask questions in the large lectures or workshops at CTNx (even if they are small) but I felt much more comfortable asking at Ground Zero because their emphasis was on learning and entering the industry--rather than CTNx which has a mix of veterans, current industry people and people hard-core-searching for a job. 

Ground Zero also felt more relaxed than conferences I'd attended in the past.  For the Panels, I went to a Character Design one with Stephen Silver and Amber Aki-Huang and a Storyboard Panel with Kris Wimberly, Casssie Soliday, and two other artists who's names I did not catch :( both began with the artists talking about what they do and how they got there and then they opened it up to questions from the audience.  Every panel I went to had lots of thoughtful questions from everyone in the audience and excellent advice from the artists.  The panels were also geared towards learning, explaining the careers and talking about career paths.  Artists took a lot of time to help explain aspects of the job or the industry they'd wished they'd known before they entered. 

I felt like I’d missed my chance to enter the industry and was running out of time but every panel and workshop I went to stressed that there was no right time or age to get in and that it was never too late.

All of the panels and workshops that I attended also had an emphasis on animation 'being a marathon, not a sprint'.  Nearly all of the artists expressed not only the hard work it took them to get into the industry but also that taking time to break in WAS NORMAL. Coming out of a competitive graduate program where I had initially struggled to learn animation and also being one of very few people at my school who worked full time while competing the program, I was feeling very out of place before attending.  I felt like I'd missed my chance to enter the industry and was running out of time but every panel and workshop I went to stressed that there was no right time or age to get in and that it was never too late.  Several panelists talked about how it took them over 5 or 7 years to land their first art job and that all of that is NORMAL! This was also echoed in my portfolio review with Tiara Little, I was super nervous about the review and I shouldn't have been.  Unlike the recruiter reviews at CTNx, this was just for information and she genuinely wanted to help attendees to where they wanted to be in the industry.  She had good advice and encouragement and it was overall a good experience that in hindsight I should have been a lot less worried about--I'll work on that next time.

Continue to part 2!

August & September Recap & Some Thoughts on Improvement

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September is coming to a close and I definitely feel like I'm racing towards the finish line for my thesis (count down to 90 seconds of full color animation has begun!) September feels like its been a pretty productive and successful month, but I am definitely feeling the rush and panic of being in the semester again.  Even though summer has almost the exact same schedule as fall (animation every weeknight and then marathon work sessions Wednesday and Saturday) the summer still feels more relaxed.  This week low motivation and burn out were definitely on my mind enough tough I feel like I've only bee working for three weeks (but really its been an intense schedule since I got back from my Pittsburgh trip.

Here are some highlights from August and September

AUGUST

  • Weekends Short Film warped (I helped out in coloring the animation and some very simple compositing for this film back in July--it was an awesome experience! & I am also credited on the website...and the film too!)
  • Completed tie-down of 3 scenes (minus a few edits I'm still working on)--Including a HORSE!
  • Read "Steal Like an Artist"  which was an awesome confidence boost about sharing art  work and helped me start thinking about how to be more professional about my work

SEPTEMBER

  • Completed tie down on horse run cycle & made major improvements
  • Progress on two backgrounds
  • Re-analyzed my shots & strategized about what's best to finish before reviewing this semester
  • Made schedule for when the review/presentation materials will be completed this semester
  • Found time management schedule that *mostly* works for me
  • Listened to two awesome podcasts about young women creating their own careers & navigating life that really got me thinking (Millennial & Real Talk with Rachel Antionnette)

Links I'm Lovin' !

Hi Again! Here's some more links I'm SUPER into and why I love 'em 

  • Figure Drawing (some Nudes) -- Here's a YouTube Channel of figure drawing poses. I had completely forgotten about that until I was searching through my link file.  I will probably try this out tomorrow, I have really been feeling like I need to get back to basics!
  • Bobby Chui -- Drawing Exercises - Composition -- Here's a video where Bobby walks you through an exercise! This is something I will be revisiting later as well! I completely I forgot that I saved all of these resources for when i was 'stumped' unfortunately anytime I've been stumped I didn't think to open this page!  
  • Toniko Pantoja -- Intro to Breakdowns-- I love his youtube channel, even though the posts aren't super frequent.  This one in particular really helped me to understand how breakdown poses work and how to get varied action and change the timing/feel of your piece with just the breakdown pose. I struggled with breakdowns and inbetweening until sometime last year.  They just didn't make sense to me! 
  • Animation Desk Tumblr - Storyboarding Response -- Here's a response from a boarding artist that was reblogged by the Animation Desk Tumblr.  Usually you hear the same advice over and over again (because its true!) but I think this response really got what the person was asking.  And is good advice I think for anyone (like me!) going--okay I know drawing is important and learning the film terms, etc. but how do I get a better understanding and level-up faster.  This artist recommended watching youtube film critiques and other stuff about film making (in addition to watching actually movies and drawing of course!).  That wasn't something I had thought of and is a good way to absorb information when your brain feels full at the end of a long week at your day-job or school or whatever.